By Dr. Michelle Kohler Ph.D.

Miles of Stare explores the matter of nineteenth-century American literary imaginative and prescient: the unusual conflation of obvious fact and poetic language that emerges many times within the metaphors and literary creations of yankee transcendentalists.

The strangeness of nineteenth-century poetic imaginative and prescient is exemplified such a lot famously via Emerson’s obvious eyeball. That disembodied, omniscient seer is ready to shed its physique and go beyond sight ironically with a purpose to see—not to create—poetic language “manifest” at the American panorama. In Miles of Stare, Michelle Kohler explores the query of why, given American transcendentalism’s anti-empiricism, the movement’s critical trope turns into a watch purged of mind's eye. And why, moreover, she asks, regardless of its insistent empiricism, is that this infamous eye additionally so decidedly now not an eye fixed? What are the ethics of casting a boldly equivocal metaphor because the resource of a countrywide literature amidst a countrywide panorama fraught with slavery, genocide, poverty, and war?

Miles of Stare explores those questions first through tracing the old emergence of the metaphor of poetic imaginative and prescient because the transcendentalists assimilated ecu precedents and wrestled with America’s troubling rhetoric of take place future and nationwide id. those questions are relevant to the paintings of many nineteenth-century authors writing within the wake of transcendentalism, and Kohler bargains examples from the writings of Douglass, Hawthorne, Dickinson, Howells, and Jewett that shape a cascade of latest visible metaphors that tackle the irreconcilable contradictions in the transcendentalist metaphor and pursue their very own efforts to supply an American literature. Douglass’s doomed witness to slavery, Hawthorne’s reluctantly omniscient narrator, and Dickinson’s empty “miles of Stare” variously skewer the authority of Emerson’s all-seeing poetic eyeball whereas attributing new authority to the restrictions that mark their very own literary gazes.

Tracing this metaphorical clash throughout genres from the 1830s in the course of the Eighties, Miles of Stare illuminates the divergent, contentious fates of yank literary imaginative and prescient as nineteenth-century writers combat with the commanding conflation of imaginative and prescient and language that lies on the heart of yankee transcendentalism—and on the middle of yank nationwide identity.

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