Born of 13 years of box study, this interdisciplinary paintings explores the complicated intersections of expertise, classification, gender, and ecology within the transnational milieu of Mexico's maquiladoras, foreign-owned meeting crops positioned alongside the U.S. border.
Devon Peña examines office and neighborhood struggles from the point of view of the ladies who paintings within the maquiladoras. He describes the employees' struggles for office democracy, social justice, and sustainable improvement. He additionally observes the stream of fight from the manufacturing unit to the group, highlighting the efforts to set up worker-owned cooperatives within the border area through the Nineteen Seventies and 1980s.
Female maquila employees are usually portrayed as passive, apolitical, and simply exploited. This ebook, in spite of the fact that, provides an opposing view, investigating the "subaltern lifetime of the store floor"—the staff' casual equipment of resistance to unsafe stipulations, sexual harassment, and managerial tyranny. utilizing survey learn, oral heritage, discourse research, and location ethnography, the writer develops a cogent critique of labor-process thought, a critique grounded on his vast research of tangible office politics within the maquiladoras.
The Terror of the Machine is a trenchant research of the political, cultural, and environmental results of maquila industrialization and an eloquent and persuasive demand possible choices towards ecologically sustainable and culturally applicable modes of development.
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